I recently built a recording studio at my house in upstate, NY.
Actually, it was an old tool shed/barn type space that I converted into a studio. I named it Bone Hollow after our street name, and It’s such a great place to work. I have recorded for quite a number of projects here so far including Pfarmers, Lonnie Holley, Day Of The Dead, Lisa Hannigan, Frightened Rabbit, Nelson Patton, as well as my own solo projects.
Contact me directly for any remote recording requests, scoring, arranging, etc… Or if you’d like to book the studio for your own project:
d n e l s o n 3 0 0 0 [at] g m a i l [dot] c o m
Specs
• 350 square feet, single room studio with vaulted ceiling up to 9.5 ft for a spacious feel and sound.
• Very quiet room in an already quiet rural area
• Extra iso-booth for vocals or amp
• Hand-made (by me) desk with gear racks
Gear
• Converter – Mytek 8×192 boutique mastering quality AD/DA conversion
• Preamps – Great River MP-500NV (2), CAPI vp26 (2), CAPI vp25 (2), UA 6176 tube channel strip (2)
• Microphones – Gefell M300 stereo pair, Beyerdynamic M160, AEA R84 (2), Advanced Audio CM47, Sennheiser 421 (6), Rode NT1a (2), Sure SM57s and 58s
• Effects – CAPI BT50 eq (2), UBK Fatso stereo compressor/saturator, UA 1176 compressor (2), Sony DPS-R7 Reverb Unit, FMR RNC & RNLA compressors, assortment of fx pedals
Instruments
• Guitars – Fender Strat electric, Martin Dreadnought acoustic, Ibanez el./ac. jazz guitar, banjo, mandolin
• Bass – Fender Jazz bass
• Keyboards – Fender Rhodes
• Synths – Moog Minitaur, Korg MS2000, handmade custom 4 channel drum synth
• Drums – Vintage 70’s Slingerland 4 piece kit, 80’s Premier 4 piece kit, assortment of world drums and percussion
• Amps – Fender Deluxe Reverb ’65 Reissue, 1973 Fender Vibro Champ